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Furniture in Portugal, 1940-1974: between tradition, authoritarianism and modernity

Series
Design for War and Peace: 2014 Annual Design History Society Conference
Portuguese design furniture (1940-1974) and the industrial policies of the New State's dictatorship.
Through furnishing is revealed a discourse between a nationalistic intent and a gradual adoption of the modern movement, reflecting the dynamics that followed World War II. These experiments can be seen both as evidence of authoritarian regime as well as part of a resistance that would transform Portugal and its material culture. In the 1940s, there was the so-called rustic and the historicisms of scholarly root, reflecting the authoritarian character of power, but from the 50s, several creators fought for modernity in its furniture designs.

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Design for War and Peace: 2014 Annual Design History Society Conference

Authenticity and commemoration: an analysis of Otto Weidt Worshop for the Blind and the Jewish Museum in Berlin

This paper will analyse both spaces according to their scale, location in the city, authenticity, phenomenology and prosthetic memory, in order to determine whether design can enhance and protect our collective memory.
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Design for War and Peace: 2014 Annual Design History Society Conference

Cultural Trauma: Kós, Kozma, and Hungarian Design in the First World War

By comparing the work and career trajectories of these two architect-designers, this paper explored the changes in taste, style and cultural meaning of the dominant trends in Hungarian interior design before and after World War 1.
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Episode Information

Series
Design for War and Peace: 2014 Annual Design History Society Conference
People
Helena Maria Souto
Eduardo Cortês Real
Keywords
Design Research
Portuguese Design Furniture
Dictatorship’s memories
Industrial policies.
Department: Department for Continuing Education
Date Added: 30/09/2014
Duration: 00:08:44

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